New album, Taylor Swift, Folklore

No, Taylor Swift did not spend her quarantine in caring for novice fermented dough or old dying jackets. Nor did she use the period to re-register her catalog as promised last year after a dispute over the label. Instead, Swift quietly spent self-isolation working on a new album, Folklore, released at midnight on July 24.

Announced in just 16 hours, Swift's eighth studio album finds her collaborating again in a handful of tracks with Jack Antonov, whom she called, in a social media post announcing the album yesterday, "mainly a musical family at this point. " But her main album collaborator is New One: Aaron Desner of The National co-wrote or produced 11 out of 16 songs. Folklore also features a track with Bon Iver, as well as coordination from a group of frequent collaborators at Dessner, including Brother Bryce Dessner and band fellow Bryan Devendorf, along with Josh Kaufman, Rob Moose, Clarice Jensen and Thomas Bartlett, among others. (Can we expect a Swift appearance on Eaux Claires or HAVEN some day?)

Folklore applies Swift's distinctive style - rich, carefully detailed, and full of call knowledge - to a new, well-informed painting of Dessner's work. Slide-proof installs match Swift's rhythm using the song; The piano and contemplative trumpets provide a cinematic scene for the explorations of the character beyond the autobiography. Much of Swift's catalog has been examined by listeners looking for similarities between lyrical dramas and real-life events - looking for clues in mentioning headers and scarves. Folklore features songs exploring differently different viewpoints of Swift's life, including third-person novels. Folklore explores a more restrictive kind of swift expression no less exciting than huge pop songs. She combines influences (Is Boxer the "independent record" of the fame "We Don't Come Back Together"?) That she has cited over the years, even if she is not clear in her classification to this point.

Although Swift overcame her previous hype for the album before Folklore, fine fans quickly identified some Easter eggs in a short time between the album's release and release. William Puri, who is credited with co-writing two tracks, appears to have no credits preceding this work, leading some to speculate that he is a pseudonym. Her first secret case won't be in her work: Swift used Nils Sjöberg's name to work on Calvin Harris 2016's "This Is What You Came For". Swifties also speculated this spring when the artist praised the "Look What You Made Me Do" cover that appeared in the Killing Eve attributed to Jack Leopards & The Dolphin Club, widely believed to be the brother of Swift Austin.

Swift never took more than a few years without releasing a new album, but the short gap between Lover and Folklore for 11 months - with no real tour between them - is unprecedented in her career. "Most of the things I planned for this summer are not over," Swift said in a statement. Earlier this year, Swift announced it would reschedule Lover Fest offers in Foxboro, Massachusetts, and Inglewood, California, due to the global epidemic. The Glastonbury 2020 Festival was also to be at the forefront of what would have been the 50th anniversary of the event before the festival was canceled in mid-March.

"Before this year, I would have probably thought too much about when this music would be released at the" ideal "time," Swift wrote in the message, announcing the album. My intuition tells me that if you make something you love, you should spread it around the world. "

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